Tuesday, April 03, 2012

A Trigonometry of Relationships - Mini-Review of "The First Warm Evening of the Year" by Jamie M. Saul


Jamie M. Saul's new novel, "The First Warm Evening of the Year" is populated with ghosts. Spectral protagonists lurk in every chapter, beginning with the recently deceased Laura. Knowing she was dying, Laura instructed her lawyer to make a posthumous request to a friend she had not seen in twenty years for him to serve as the executor of her estate. Thus was Geoffrey Tremont ripped from his easy life as a voice-over actor in New York City and thrust into the middle of complex relational trigonometric functions in the sleepy Berkshire town of Shady Grove. There are sines, cosines, tangents and secants of triangular relationships running in every direction, providing clues on how to take the measure of the book's characters.

Geoffrey meets Marian, also a friend of Laura. Together, for almost twenty years these two women were the "young widows of Shady Grove," each mourning in her own way the loss of Marian's Buddy and Laura's Steve. Throughout the course of the narrative, Geoffrey and Marian warily and oh-so-cautiously take the measure of one another to figure out how they should responsibly deal with the instant attraction they felt for each other. There is Rita to consider, Geoffrey's convenient and casual girlfriend in the City; there is also Eliot, Marian's safe companion of long standing. Geoffrey and Marian are like two lumps of anthracite coal - reluctant to ignite, but full of pent-up potential energy that may begin to glow and throw off a great deal of heat under the right conditions.

Geoffrey's gay psychiatrist brother, Alex and Laura's ne'er-do-well brother, Simon, the failed ballet dancer, add a satisfying subplot and scrim against which Geoffrey's actions and motives are reflected.

Along the way, as I read this novel, I was often reminded of one of my favorite Woody Allen films, "Interiors." There is not much external actions, but there is constant inner turmoil and inter-relational complexities being revealed and explored. The writing is rich and the story is well told. We want Geoffrey and Marian to find a way to dispel the ghosts that would keep them at arm's length from one another.

Enjoy!

Al

Monday, April 02, 2012

Rush to Harvard Square To See Sondheim's "Sunday in the Park with George" by the Harvard Radcliffe Dramatic Club


I was lucky enough to see the original Broadway production of "Sunday in the Park with George" starring Bernadette Peters and Many Patinkin. So, the bar had been set high for any future productions of this marvelous musical. I was not sure what to expect this weekend when I made my way to the Loeb Theater for the Harvard Radcliffe Dramatic Club's presentation of the play. I was blown away!

When "Sunday in the Park with George" opened in the early 1980's, the technology available to depict some of the show's most interesting graphic concepts was primitive by today's standards. Under Director, Ryan Halprin and Video/Projection Director, Sean Goller, this cast and crew have utilized a variety of projection and animation technologies that have vaulted this production to a whole new level of storytelling.

The ensemble cast was wonderful, faithfully adding their own individual brushstrokes to the overall portrait being painted in this production. The brilliant use of technology and the creativity of the design and production teams both framed and illuminated the show in wonderful and breathtaking ways. They have done a marvelous job of "Putting It Together."

You have three more opportunities this week to catch this beautifully conceived and executed production.

And that, as Sondheim said, "is the state of the art"!

Enjoy!

Al

A Tony Award- and Pulitzer Prize-winning musical about the chaos of reality and the forms we use to make sense of it, Sunday in the Park with George combines innovative storytelling with Sondheim’s masterful score to bring the characters of Seurat’s most famous painting to life. With a focus on modern visual art, technology, and movement as a means of storytelling, we will explore both the unending allure of art and the devastating toll of obsessing over it. Join us as Harvard artists from diverse disciplines converge on one stage to tell a story that will both consume and inspire anyone who has ever had an artistic experience.


Thursday, April 5th @ 8pm
Friday, April 6th @ 8pm
Saturday, April 7th @ 8pm

On the Loeb Mainstage at 64 Brattle St.

Tickets available at the Harvard Box Office
$8 students; $12 general admission

Directed and Choreographed by Ryan Halprin
Music Directed by Sam Schoenberg
Produced by Anna Kelsey, Andrea Moreno, and Natalie Feldman